) 1. 楚雄师范学院音乐学院, 云南 楚雄 675000
2. 广东工业大学艺术与设计学院, 广州510090
收稿日期:2018-09-21出版日期:2019-09-15发布日期:2019-07-24通讯作者:夏天生E-mail:xiatiansheng@gdut.edu.cn基金资助:教育部人文社科项目(16YJC90022);教育部人文社科项目(19YJCZH123);广东省哲学社科“十三五”规划学科共建项目(GD16XYS16);广东省社会科学研究基地“设计科学与艺术研究中心”资助课题The neuroaesthetics of music: From aesthetic responses to neural bases
ZENG Ying1, XIA Tiansheng2() 1. School of Music, Chuxiong Normal University, Chuxiong 675000, China
2. School of Art & Design, Guangdong University of Technology, Guangzhou 510090, China;
Received:2018-09-21Online:2019-09-15Published:2019-07-24Contact:XIA Tiansheng E-mail:xiatiansheng@gdut.edu.cn摘要/Abstract
摘要： 近年来, 随着音乐的神经科学与神经美学的发展, 逐渐形成一个新的研究领域, 即音乐的神经美学。这一研究领域关注音乐审美的心理过程和神经机制, 将注意力集中于音乐审美活动中的感知、认知和情感解释。音乐审美加工引起了相应的审美反应, 其中有三种音乐审美反应得到研究者更多的关注, 即音乐审美情绪、判断与偏好。研究者围绕这三种反应, 对音乐审美反应的知觉、认知、情绪加工和影响因素以及其神经机制展开研究。这些研究为我们理解音乐和美学的行为与神经机制提供了经验性证据。
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