Andrea Baldini


学位：PHD
职称：副教授
研究方向： 艺术哲学、美学和视觉文化，特别是它们与应用伦理学、社会和政治哲学、公共政策和城市传播等领域的交叉。关注艺术和创造性行为如何赋予公共空间价值，以及如何塑造和重塑公共空间的作用、功能。
科研情况：
科研兴趣及主要研究方向（代表性论文）：
Associate Professor of Aesthetics and Art Theory, School of Arts of Nanjing University. His main research interest is philosophy of art, aesthetics and visual culture, especially at their intersection with applied ethics, social and political philosophy, public policy, and urban communication. He is interested in how artistic and creative gestures imbue public space with value(s), shaping and reshaping its uses and functions.
美学和艺术理论副教授，就职于南京大学艺术学院。主要研究方向为艺术哲学、美学和视觉文化，特别是它们与应用伦理学、社会和政治哲学、公共政策和城市传播等领域的交叉。关注艺术和创造性行为如何赋予公共空间价值，以及如何塑造和重塑公共空间的作用、功能。
专著：
ANDREA BALDINI;I Fought the Law and the Law Swanned: Art and Law in the Post-Graffiti Era；Koninklijke Brill,;2018
论文：
There and Back Again: Redistributing Visibility between theVirtual and Real Alleys of Graffiti；E-Flux Architecture；2017
Beauty and the Behest: Distinguishing Legal and AestheticJudgment in the Context of 21st Century Street Art and Graffiti；La Rivista di Estetica；2017
Knitting a Community Back Together: SpontaneousPublic Art as Citizenship Engagement in Post-Earthquake L’Aquila；Territories of Political Participation. Public Art, Urban Design, andPerformative Citizenship, Milano: Mimesis International；2017
Wild Vegetables, Salsa, and Street Art. Cultural and Ecological Developments in the Chinese Provincial Landscape；Lo Squaderno；2016
公共艺术品的特质及其诠释；文艺研究；2016
On the Site-Specificity of Public Art，TheoreticalStudies in Literature and Art (文艺理论研究) ，2016
Editor’s Foreword: Interpreting Arts Across Cultures；TheoreticalStudies in Literature and Art (文艺理论研究)；2016
Street Art: A Reply to Riggle；"The Journal of Aesthetics and Art
Criticism "；2016
"Quand les murs de bétonmuets se transformenten un carnaval de
couleur. Le street art commestratégie de résistance sociale contre le modèle commercial de la visibilité（英文名：When the Silent Concrete Turns into a Carnival of Color: Street Art as a Strategy of Social Resistance against the Corporate Regime of Visibility）"；Cahiers de Narratologie；2016
Muri addomesticati? Street art, musei e ribellione” [Street art, museums,and rebellion]；Street Art. Banksy & Co., Bologna: Bononia UniversityPress；2016
Identity and Interpretation of Public Artworks: A Challenge to Intentionalism；Culture-Society-Education (Kultura – Spo?ecze ′nstwo – Edukacja)；2015
"An Urban Carnival on the City Walls: The Visual Representation of
Financial Power in European Street Art；Journal of Visual Culture；2015
Tom Finkelpearl’s What We Made: Conversations on Art and Social Cooperation；Journal of Aesthetic Education；2015
Doris Sommer’s The Work of Art in the World；The Journal of Aestheticsand Art Criticism；2015
课题：
ANDREA BALDINI,2016—present,PHILOSOPHY OF THE ARTS IN THE PUBLIC DOMAIN (公共领域中的艺术哲学),南京大学项目；奖项：Top Paper in Urban Communication,2016 NCA (awarded to papers included in the Top Paper Panel at the National Communication Association)
ANDREA BALDINI，2014—2016，
THE NON-AESTHETIC FUNCTIONS OF SPONSOREDAND SPONTANEOUS FORMS OF PUBLIC ART: ON THE THERAPEUTIC VALUE OF THE NANJING MASSACREMEMORIAL AND THE SUBVERSIVENESS OF STREET ART；来源：NJU, China Ministry of Education
创作成果：（1、按时间降序排列；2、另附代表作照片3~5幅，照片命名中注明作品名称、时间、地点、材质、尺寸等信息）
学术会议成果展示
序号
参加人（老师）
会议（活动）名称
时间
地点（（国家）＋城市＋机构）
是否发言（如有发言，需要填写发言稿的名称）

1
INVITED TALKS
(受邀请做演讲)

event related to theDesign Week, in collaboration with the Institute of Italian Culture in Beijing
March 3, 2017
Qinghua Art Museum, Qinghua University, Beijing
Tell Me Where It Comes From, and I’ll Tell You What It Is


2

event related to the
Design Week, in collaboration with the Institute of Italian Culture in Shanghai
March 2, 2017
Sino-Italian Campus, Tongji University, Shanghai
Tell Me Where It Comes From, and I’ll Tell You What It Is

3

eventrelated to the Design Week, in collaboration with the Institute of Italian Culture in Shanghai
March 1, 2017
Department of Art and Design, South-East University, Nanjing,
Can Design Be Art?

4


November 11, 2016
Temple University, Philadelphia,
Street Art in Da House: Museums and Pluralism in the 21st Century

5


November 7, 2016
College of the Holy Cross, Worcester,
Philosophizing about Eating Food as Public Art: Some Conceptual Puzzles

6


November 4, 2016
Shanghai Normal University, Shanghai,
A New Dawn: Conceptual Innovations in Contemporary Italian Street Art, Graffiti, and Post-Graffitism

7


November 3, 2016
Shanghai Art Fair, Shanghai,
From the Walls of Pompei to the City Train: Past, Present, and Future of Italian Muralism

8


May 25, 2016
Wuxi Museum of Art, Wuxi,
Between Scylla and Charybdis: Abstraction and Representation in Contemporary Italian Art

9

Lecture for the Inauguration of "New Ways of Seeing,"
December 4, 2015
Nanjing University, Xianlin Campus,
Caution, Wet Paint: Experimentations in Italian Art from the 1950s to Today

10

Symposium on Tomaso Montanari’s “Istruzioni per l’uso del futuro. Il patrimonio culturalee la democrazia che verrà",
July 28, 2015
Massa (ITALY),
Culture, Art, and Democracy: A Discussion of Tomaso Montanari’s latest book

CONFERENCE
PRESENTATIONS
参加国际会议
1
with Andrea Borghini
Post-Internet Cities Conference,
May 27, 2017
Lisbon (PORTUGAL),
是，There and Back Again: Redistributing Visibility between the Virtual and Real Alleys of Graffiti”

2
with Andrea Borghini
Self: Between Consciousness and Non-Being International Conference,
May 13-14, 2017
Hokkaido,
Japan
“Anonymous, Collective, and Polyphonic: The Creative Subject in 21st Century Graffiti andStreet Art”,

3

The Aesthetics of Perfection and Imperfection Conference,
April 15-16, 2017
Tokyo,
“Bombing the City: Tags, Graffiti, and the Political Significance of Imperfection in Urban Aesthetics”,

4

ASA Pacific Meeting,
April 4-7, 2016
Asilomar Conference Center, Monterey (USA),
“Spray Paint and Laws: On the Differences between Legal and Aesthetic Judgment in the Contextof 21st Century Street Art and Graffiti”,

5

International Seminar
March 30, 2017
Bologna (ITALY),
“Tags nel paese di mezzo: La rappresentazione dello spazio pubblico cinese nei video sui graffiti”[Tags in the Middle Kingdom: The Representation of Chinese Public Space in videos on Graffiti]Visioni Urbane. Beyond the Ideal City. Spazio pubblico e narrazioni urbane attraversoil mezzo cinematografico

6
with Dr Pamela Pietrucci
NCA 102nd Annual Convention – Urban Communication Foundation
November 10-13, 2016
Philadelphia
Knitting a Community Back Together: Post-Disaster Public Art as CitizenshipEngagement

7

20th International Congress for Aesthetics
July 24-29, 2016
Seoul
Chaining Walls of Freedom? Street Art and Museums in the Era of Mass Art

8
with Dr Pamela Pietrucci
ICA Young Scholars Preconference “Communicating the Power of Visuals,”
June 9 2016
KyushuSangyo University, Fukuoka
Pebbles and Beads: Re-Appropriating Post-Earthquake L’Aquila with Street Art

9

ASA Eastern Division Meeting
April 15-16, 2016
Philadelphia
Subversive Walls

10

Street Art. Contours et Détours
September 24-26, 2015
Nice (FRANCE)
When the Silent Concrete Turns into a Carnival of Color: Street Art as a Strategy of SocialResistance against Corporate Control of Visibility

11

5th Annual Conference of the Royal Musical Association Music and Philosophy StudyGroup
July 17-18, 2015
London
Silence, Musical Form, and the Japanese Notion of Ma: An Essay in Global Aesthetics

12

“Probing Misunderstanding” International Conference
2-3 July, 2015
Liège (BELGIUM)
Misusing and Misunderstanding Public Spaces: Street Art and Its Challenge to the CorporateRegime of Visibility

13

Dubrovnik Conference on the Philosophy of Art
20-24 April, 2015
Dubrovnik (CROATIA)
Challenging the Second Dogma of Neo-Kantian Aesthetics: On the Social Dimension of PublicArt Appreciation

PROPOSED PANELS
1提出议题
co-organized with Dr Angela Condello, with Prof. Gianmaria Ajani; Prof. TizianaAndina; and Prof Maurizio Ferraris
Art & Law
April 4-7, 2017
ASA Pacific Meeting, Asilomar Conference Center


COMMENTS
1评论

William P. Seeley
and Catherine A. Buell

April 4-7, 2017
ASA Pacific Meeting, Asilomar Conference Center
A Question of Artistic Style: Digital Image Analysisand the Classification of Paintings


图片：
Tokyo;AESTHETICS OF IMPERFECTION;2017.4
首届意大利全球设计日，2017

目前承担课程：
艺术鉴赏与策展本科生
西方艺术史本科生
西方艺术史研究生
艺术和文化遗产研究生