Publication in refereed journal
香港中文大学研究人员 ( 现职)
| 韦慈朋教授 (音乐系) |
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Web of Sciencehttp://aims.cuhk.edu.hk/converis/portal/Publication/0WOS source URL
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摘要In any community, village, or city, the network of musical styles, genres, and performers constitutes a 'musical system'. In a metropolis such as Hong Kong, there are also various interlinked subsystems which can be interpreted according to various parameters such as ethnicity (Chinese, other Asian, European) type of music (classical, folk, popular), or livelihood (professional, semi-professional, amateur). The present article focuses on the subsystem of Chinese music in Hong Kong, including its local, regional, national, and transnational elements, indigenous Cantonese culture and intracultural transplants from elsewhere in China, performance contexts, and networks of performers. By thinking about what Bruno Nettl has called the 'total music' of a community, we can gain new perspectives on its component parts and their relationship to each other and to the whole. By examining inter-genre relationships in a given locale, we can also approach a fuller understanding of Chinese music: despite its practical advantages, the genre-based approach typically used in scholarship and teaching can obscure the dynamic interplay of instrumental, vocal, theatrical, and religious traditions within a regional (Cantonese) or local (Hong Kong) music subculture. These themes in turn may contribute to our understanding of music in other multi-ethnic or multi-dialect societies and in other large and complex urban centers.
着者Witzleben JL
期刊名称World of Music -London then Berlin-
出版年份2http://aims.cuhk.edu.hk/converis/portal/Publication/0http://aims.cuhk.edu.hk/converis/portal/Publication/0http://aims.cuhk.edu.hk/converis/portal/Publication/0
月份1
日期1
卷号42
期次3
出版社FLORIAN NOETZEL VERLAG
页次79 - 92
国际标準期刊号http://aims.cuhk.edu.hk/converis/portal/Publication/0http://aims.cuhk.edu.hk/converis/portal/Publication/043-8774
语言英式英语
Web of Science 学科类别Music
