Publication in refereed journal
香港中文大学研究人员 ( 现职)
Professor Frank Joseph Emmanuel VIGNERON (艺术系) |
全文
数位物件识别号 (DOI) http://dx.doi.org/10.1080/08949468.2015.1014258 |
引用次数
Web of Sciencehttp://aims.cuhk.edu.hk/converis/portal/Publication/0WOS source URL
其它资讯
摘要The notion that styles have a lifespan is still widely accepted by many art historians. In the late 2http://aims.cuhk.edu.hk/converis/portal/Publication/0th century it became clear that there was nothing universal in these definitions which had also been defined in a gendered and socially biased form of knowledge. Although exercised in a different manner the urge to classify was just as strong in the Chinese world. Because of the creation in Chinese discourse of a type of Subject very similar to the one developed in the classical age in Europe, the desire for the definition of period styles became a very logical impulse when the first professional Chinese art historians began tackling the issue of historicizing the art of their culture early in the 2http://aims.cuhk.edu.hk/converis/portal/Publication/0th century. Nowadays, since the fragility of the period style as lifespan narrative in art history has been undermined, to the point of creating entirely new narratives relying on types of universal that have the ambitions to avoid the biases of gender and social structure, the question remains as to why it still endures in contemporary academia and in the doxa.
着者Vigneron F
期刊名称Visual Anthropology
出版年份2http://aims.cuhk.edu.hk/converis/portal/Publication/015
月份5
日期27
卷号28
期次3
出版社ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
页次2http://aims.cuhk.edu.hk/converis/portal/Publication/08 - 226
国际标準期刊号http://aims.cuhk.edu.hk/converis/portal/Publication/0894-9468
电子国际标準期刊号1545-592http://aims.cuhk.edu.hk/converis/portal/Publication/0
语言英式英语
Web of Science 学科类别Anthropology