姚晨的音乐语言根植于东方和西方的音乐传统，同时充分运用了当代作曲技法的开放性融合了二者。他对音乐时间、音色、律动、结构及表情的感知都处于许多临界地带：新与旧，东与西，非理性的神秘与理性的逻辑感。同时，对独立电影和实验剧场的涉猎也有效地拓宽了他的音乐种类和风格。这些感知体验深深渗透在他的创作之中，体现了他对新音乐创作在世界当代多元文化发展中的观点和态度。这种跨文化的审美，在他的乐队作品《诗两首》，器乐剧场《波罗密多》， 戏剧空间《琵琶弹戏：西厢记三折》，中西混合室内乐《骏》、《沧浪》、《婵娟》等作品中都有集中的呈现，他们充分展示了作曲家在处理音乐戏剧性、混合不同音乐材料风格等方面的创作才能。
　　作为一个活跃的青年作曲家，姚晨和许多的中美音乐家都有着密切的合作。这些音乐家包括美国指挥家 Cliff Colnot, Rei Hotoda，法国指挥家Jacques Mercier，纽约大都会歌剧院首席长笛演奏家Denis Bouriakov，法国室内交响乐团长笛首席Clara Novakova，美国科罗拉多交响乐团长笛首席Brook Ferguson，新加坡小提琴演奏家萧丽君，旧金山音乐学院小提琴教授何为，中提琴演奏家徐沛珺，瑞士巴塞尔交响乐团中提琴首席Veit Hertemstein，法国巴黎广播乐团竖琴首席Nicolas Tulliez，中国爱乐乐团竖琴首席郭悦， 以色列单簧管演奏家Guy Yehuda，琵琶演奏家杨惟、兰维薇，古琴演奏家陈雷激，古筝演奏家王于真，马林巴演奏家林威震，竹笛演奏家张维良、王华，巴扬手风琴演奏家Stanislav Venglevski、罗汉，低音提琴演奏家张达寻、Michael Cameron、陈翰叡?，中国昆曲艺术家吕佳和萧向平，等等。
　　他的作品也被许多重要的大型演奏团体演奏过，这包括获得格莱美古典大奖的美国Saint Paul室内交响乐团、美国Pacifica弦乐四重奏团和美国eighth blackbird六重奏团。此外，还有著名的美国St. Luke’s 交响乐队，法国Lorraine国家交响乐团，加拿大Winnipeg交响乐团， 美国 Promusica 室内交响乐团 ，芝加哥交响乐团麾下的Civitas Ensemble， 美国Tanglewood 音乐节New Fromm Players，法国Diotima Quatuor弦乐四重奏团，新加坡唐弦乐四重奏团，以色列当代音乐团, 香港新音乐团，美国Camerata和Quintet of the Americas木管五重奏团等均成功演绎过姚晨的音乐作品。
　　他的音乐也常出现在许多世界顶级的音乐节和音乐厅。美国Tanglewood音乐节，美国Aspen音乐节，日本太平洋国际音乐节，在斯洛文尼亚举办的国际当代音乐协会World Music Days音乐节， 法国Centre Acanthes当代音乐节， 莫斯科国际手风琴大赛，法国巴黎Festival Presences，亚洲作曲家联盟音乐节（以色列，新加坡，日本），意大利soundSCAPE 音乐节，波兰波兹南之春音乐节， 瑞典Stode Musicveckai音乐节，德国Deutsch-Chinesisches古典音乐节，美国June In Buffalo当代音乐节，美国芝加哥SoundField音乐节和Contempo音乐会系列，美国路易威尔大学新音乐节，台湾高雄国际打击乐节，中国北京现代音乐节，中国中央音乐学院民族音乐节，中国天津国际手风琴艺术节等等，均呈现过姚晨的音乐作品。
　　许多国际音乐组织曾授予姚晨诸多荣誉、奖项和委约，包括美国作曲家、作家及出版商协会（ASCAP），美国新音乐（New Music USA），美国哈佛大学Fromm音乐基金会，芝加哥大学梅隆（Mellon）艺术实践与学术合作奖，法国国家广播电台 (Festival Presences 和 Alla Breve)，纽约WQXR电台，美国匹兹堡交响乐团，美国Orpheus室内交响乐团，芝加哥艺术学院，美国Barnett家族基金会音乐比赛，美国中华才艺协会国际作曲比赛，加拿大Winnipeg交响乐团，希腊国际作曲比赛，中国TMSK刘天华中国民乐作曲比赛，美国东卡罗莱纳大学交响乐队作曲比赛，北京现代音乐节和中国广东民族乐团。另外，他也曾担任美国Salvatore Martirano国际作曲比赛和Red Note国际作曲比赛的评委，还曾受邀担任2014伊利诺伊州立大学Red Note新音乐节的艺术总监。 近几年，他也接受世界著名艺术院校的邀请给予专题讲座，比如巴黎国立高等音乐舞蹈学院，米兰威尔第音乐学院， 美国加利福尼亚大学伯克利分校音乐系，北京电影学院摄影系，等等。
　　姚晨出生于中国广东，成长于中国大西北，曾在广州星海音乐学院附中和中央音乐学院接受严格的作曲训练。在美国芝加哥大学攻读作曲博士学位期间及之后，他先后执教于美国芝加哥大学音乐系、美国伊利诺伊大学香槟分校音乐学院、美国伊利诺伊州立大学音乐学院及中国苏州大学音乐学院。目前为中国北京中央音乐学院作曲系副教授。更多信息请访问www.yaochenmusic.com
　　The music of YAO Chen strikes audiences with its innovative ways of bringing the traditions of Chinese and Western music and its poetic telling of the composer's innermost thoughts.　 His perceptions on musical time, timbre, intonation, pulsation, and expression are always at frontiers: between the old and the new, between the East and the West, between irrational mysticism and rational logic.　 While devoting himself mainly to the field of contemporary art music, YAO also experiments with other genres, writing music for films and theatre productions.　 Cross-cultural and cross-disciplinary concepts permeate his creative inspiration and compositional output, presenting his understanding of the value of new music in enlivening global cultures.　
　　His creative vision and aesthetic pursuit have resulted in his many compositions, such as Two Poems for orchestra, the instrumental theatre piece Paramita,the three-act environmental theatre piece Playing the Opera on Pipa: Romance of the Western Chamber, and many Chinese-Western mixed instrumental works including Tsanglang…Tsanglang for flute, zheng and viola, Yearning for zheng and double bass, Jun for pipa and double bass. These pieces not only demonstrate his talent in navigating situations covering a wide emotional spectrum and dramaturgical elements in music writing, but also reveal his versatility in structuring musical forms that embrace mixed instruments, musical languages and styles.
　　In recent years, his music has received a significant amount of recognition in many distinguished international arenas.　 His music has been performed by the St. Paul Chamber Orchestra (Grammy winner), Orchestre National de Lorraine, Winnipeg Symphony Orchestra, Orchestra of St. Luke's, ProMusica Chamber Orchestra, Pacifica String Quartet (Grammy Winner), Quatuor Diotima, eighth blackbird (Grammy winner), Tang Quartet, Civitas Ensemble (from Chicago Symphony Orchestra), Camerata Woodwind Quintet, Quintet of the Americas, New Fromm Players, Earplay Ensemble, Israel Contemporary Players, Conundrum, Wild Rumpus New Music Collective, New Music Concerts in Canada, TianYing Chinese Ensemble, Beijing New Music Ensemble, etc.　 YAO has collaborated with countless artists, including conductors Cliff Colnot, Jacques Mercier and Rei Hotoda, violin virtuoso Siow Lee-Chin and He Wei, viola virtuoso Xu Peijun and Veit Hertemstein double bassists DaXun Zhang, Michael Cameron and Chen Han-Jui, sopranos Tony Arnold and Allison Angelo, flutists Denis Bouriakov and Clara Novakova, pianist Nareh Arghamanyan, bayan-players Luo Han and Stanislav Venglevski, harpist Nicolas Tulliez, Chinese pipa-players Yang Wei and Lan Weiwei, marimba virtuoso Wen-Chen Lin, Chinese bamboo flutist Zhang Weiliang, zheng player Yu-Chen Wang, Kun Opera singer Lu Jia and Xiao Xiangping.
　　He has also received commissions, awards and fellowships from many prestigious organizations such as the Fromm Music Foundation at Harvard University, New Music USA, Radio France (Festival Presence and Alla Breve), ASCAP, Barnett Family Foundation Flute Competition, Leonard Bernstein Fund, Art Institute of Chicago & Silk Road Chicago Project, Pittsburgh Symphony Orchestra, TMSK Liu Tianhua Composition Competition, Greece International Composition Competition, East Carolina University Orchestral Composition Competition, Aspen Music Festival, Chinese Fine Arts Society International Composition Competition, Viacom-Sumner M. Redstone Foundation in China, Central Conservatory of Music, University of Chicago, etc.
　　YAO has shared his music with audiences at many music festivals throughout the world, including the Radio France’Festival Présences, Tanglewood Music Festival, Aspen Music Festival, ISCM’s World Music Days (Slovenia), Centre Acanthes Festival, Pacific Music Festival in Japan, Asian Composers League Festival (Israel, Singapore and Japan), Moscow International Accordion Competition, International Tianjin Accordion Festival, Deutsch-Chinesisches Classic Music Festival (Germany), Stode Musicveckai (Sweden), Beijing Modern Music Festival, Chicago Contempo Concerts, June In Buffalo Contemporary Festival, Poznan Musical Spring Festival (Poland), SoundField Music Festival (Chicago), soundSCAPE Music Festival (Italy), Random Access Music New Music Festival and the Music of Now Marathon Festival in New York City, East Carolina University New Music Festival, University of Louisville New Music Festival.
　　YAO embarked on his lifelong musical journey in the People's Republic of China.　 He received training in composition at Xinghai Conservatory of Music and Central Conservatory of Music.　He received in his Ph.D in Composition from the University of Chicago.　 He is currently associate professor in Composition at Central Conservatory of Music in Beijing.　In the past, he has hold professorships at the University of Chicago Music Department, the University of Illinois at Urbana-Champaign School of Music, the Illinois State University School of Music, and the Soochow University School of Musicin China.　YAO is his surname, and Chen is his first name.　For more information, please visit www.yaochenmusic.com