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| 昆曲闺门旦颤音的嗓音特征 |
| 董理1, 孔江平2 |
1. 深圳大学 人文学院, 深圳 518060;
2. 北京大学 中国语言文学系, 北京 100871 |
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| Phonatory characteristics of the vibrato voice in Young woman roles in Kunqu Opera |
| DONG Li1, KONG Jiangping2 |
1. School of Humanities, Shenzhen University, Shenzhen 518060, China;
2. Department of Chinese Language and Literature, Peking University, Beijing 100871, China |
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| 摘要为揭示昆曲闺门旦演唱颤音的波动特征以及发声方式的变化规律，该文对2名专业的昆曲闺门旦演员演唱颤音时的喉头仪信号进行分析，从颤音周期、幅度、发声类型、生理动作等角度研究该行当颤音的特性。结果表明：闺门旦的颤音基频波动频率较低、幅度较小，颤音波动周期中伴随着一定程度的嗓音发声变化；在大部分颤音片段中，颤音接触商变化频率、颤音速度商变化频率与颤音基频变化频率一致，相位相同或相反，各参数周期变化的相位关系与嗓音类型有关；颤音的产生伴随着喉头的上下抖动。该研究揭示了闺门旦颤音的产生有其独特的发声规律。 |
| 关键词 ：闺门旦,颤音,喉头仪,基频,接触商,速度商 |
| Abstract：The vibrato characteristics of two professional Kunqu Opera singers playing Young woman roles were measured using three EGG parameters for the fundamental frequency (F0), contact quotient (CQ) and speed quotient (SQ). The F0 in the Young woman role's singing showed a slow vibrato rate and a low vibrato amplitude as with their gentle voice. CQ and SQ changed periodically during vibrato singing. For most vibrato periods, the CQ and SQ vibrato rates were equal to the F0 vibrato rate. The vibrato phases of the three parameters showed no differences or a 180°difference, depending on the phonation type. The singers vibrate their larynx to producing the vibrato. |
| Key words：Young woman rolevibratoelectroglottographyfundamental frequencycontact quotientspeed quotient |
| 收稿日期: 2016-05-05 出版日期: 2017-06-22 |
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